Archive for the 'Washington Post' Category

Big, Fat, Juicy, (Incomplete) Update

Long time, no post. The past few months have had me mired (albeit willingly) in an ark sized boatload of new projects—the deadlines of which have conveniently stacked up upon one another in a seemingly unending row. I’ve been a longtime adherent to the belief that opportunity never presents itself at a moment of convenience and the past few months proved themselves hell-bent on reinforcing that. So, in order to avoid running the risk of this blog being mistaken for a recently abandoned tenement, here’s a spattering of what’s been happening:

1. NEW SITE (!)
First things first. It only took three years of procrastination followed by a two month crash course in Indexhibit, but I finally have a new site. The URL is the same, but the work contained therein is actually, truly, (well, mostly) current. This task had been on my design bucket list for way too long, so the fact that the majority of the heavy lifting is done is a huge personal coup. As a self proclaimed style sheet/CSS Luddite, Indexhibit is not the simplest program to wrangle my head around, however its genius lies in its protean flexibility which practically forces you to learn some basic web building principles, so (hopefully), fine tuning it going forward won’t be quite as laborious as it was for my previous one. Check it.


2. Joe Klein & TIME

Earlier this year I was fortunate to begin working with art director Andreé Kahlmorgan at TIME Magazine illustrating bi-monthly columns for Joe Klein, a journalist who’s tenacity and quality of output has proven multiple times over that he’s not so much of a slouch. Mr. Klein’s political column for TIME, more often than not, examines current events from the perspective of a single active participant or group in the event he’s covering. To illustrate that effectively (as well as with a modicum of consistency), the illustration is approached as a conceptual portrait each week, pulling current head shots with Andreé of the players in question and providing narrative context. The turnaround time is roughly equivalent to that of an op/ed. The Obama image above was done for a springtime Klein piece about the increasingly negative and hostile portrayals of Obama that his growing detractors are using in media campaigns. More Klein pieces follow below:

Klein writing as Benjamin Netanyahu and his fly-on-the-wall perspective of the Arab Spring.

Klein on Obama’s and Paul Ryan’s fractured healthcare negotiations.

On the government’s financial mismanagement of great-in-theory programs like Head Start.

On government’s current capability for compromise in the wake of the debt ceiling debacle.

On Mitt Romney’s current second place position in GOP presidential race behind Rick Perry.


3. Frank Bruni for the NYT Sunday Review

Upon the simultaneous retiring of the NY Times’ Week In Review and the birth of their Sunday Review, I’ve also begun trading off with Chris Brand illustrating Frank Bruni’s regular Sunday column since the section got up and running in July. Bruni, like Joe Klein, tackles current politics as well, but he applies a measured, rational wit to his outrage which allows him to deconstruct his themes in a humorous way which, in turn, gives Aviva and I some room to aim for some humor in the illustrations. The piece above accompanied one of his earliest pieces for the Sunday Review in which he opined to have children and spouses of candidates removed from the campaign platform and candidates’ list of talking points. Other recent illos for Bruni’s column follow below and Aviva Michaelov art directed all of them:

This portrait of Casey Anthony, aided with the significant help of a xerox machine, was paired with his post mortem analysis of her trial.

This one went along with an article which used the instance of an Arizona state senator sneaking a small gun into a courthouse as a springboard to address the curious state of current U.S. gun legislation.

This one explored all the ways in which Michele Bachmann is virtual catnip for media pundits. Also, her migraines. Before sending this one in, I showed it around to a handful of designers and three recoiled from it, complaining that the illustration was giving them a headache. Mission accomplished.

This was a tough one. This piece went along with Bruni’s exploration of a political candidate’s false humility—often echoing a declaration of “answering a call” to public service as opposed to simply coming clean and candidly owning their interest in money and power and control. Aviva and Joon Mo Kang helped this one along.

For an article about how ‘smart’ a politician is counts for only so much for his/her effectiveness as a politician.


4. Overshadowed for the Washington Post

Again, for the national press. This one was an illustration for the Washington Post’s Outlook section for their cover piece concerning how the 9/11 attacks on New York perpetually overshadow the 9/11 attacks of Washington. Prior to running this, there was much discussion at the paper as to whether the ‘a-ha’ moment that the viewer gets when looking at the image arrives too late, however Kristin Lenz was an outrageously supportive advocate for this treatment and it made it through the editorial review roundly unscathed. Looking at a mini on-screen version doesn’t help to sell the point too much, so here’s a close up to bludgeon the point home:



If I’m being truthful (and I am), these two covers above and below were completed well before this summer, but since all the titles I’ve worked on since April aren’t camera ready just yet, here are the two that just recently came out.

Instant Replay, above was done for Mr. John Gall under the Anchor Sports imprint. Being personally indifferent about football as I am, this project began with a lot of inwardly directed chortling and later gave way to a personal revelation (albeit a minor one). That revelation being that while I find watching football to be something of a chore, reading about it is awesome. Or alternately, this book is just incredibly honest, thoughtful and good. For the fellow uninitiated, right guard Jerry Kramer essentially accounts in his diary what turns out to be the Green Bay Packers’ historic 1967 season culminating with the legendary “Ice Bowl”. The book is blissfully out of touch with the modern NFL insomuch as the events portrayed are relatively scandal free and that discussion of paychecks, (small ones, incidentally) are secondary to the collective desire to perform well and win. In football circles (read: everyone except me and 27 other U.S. born citizens), the book is regarded as a bit of a playbook classic. Reading it, it’s easy to understand why that is.

Lastly, this one by Douglas Rushkoff concerns the positive and negative ways in which the internet affects both human behavior and human happiness. If one were planning to double-fist books like this, this one would make for an excellent dance partner. Done for the fine people at Soft Skull Press.

And that’s it for now. Much more on the way. Everything above represents a sliver of my summer, so I need to get outside for a minute before the weather turns cold.

Heeeeeeeeeeere’s Ronnie


Art direction: Kim Maxwell Vu


A true rarity for me–a portrait assignment(!) of Ronald Reagan(!)–for the Washington Post’s Style section above. This ran on the front of the section in conjunction with reviews of three separate documentaries being broadcast about Reagan on 100th anniversary of his birth.

There were two distinct added bonuses that came along with this assignment:

1. Despite it ultimately amounting to a killed sketch, this nevertheless did present me with a chance to take another crack at a straight, no-frills pencil drawing. Having vowed as recently as New Year’s Day to do a little more of that kind of thing this year, it seemed wrong to not indulge the opportunity. So there you go:




2. I do love a chance to wedge the illustration into and around the copy whenever it can be done and Kim Vu was a game co-conspirator.








The Twilight of the Dirty Rich



This past weekend while in the mountains of southern Virginia for a cell-free, wifi-free wedding, I had the unlikely fortune to have illustrations on the covers of both the Washington Post’s Outlook section and also the Times’ Week In Review. Mercifully, these pieces were polar opposites in terms of scheduling and content which in turn helped to keep my brain limber as both pieces were tied up amidst the frenzy of other ongoing projects, the day job as well as the joys of beyond-last-minute packing.

The piece above for the Washington Post revolves around the growing development of the nation’s youngest, richest business folks making their money (and thereby influencing policy) from tech based, environmentally friendly ventures as opposed to the oil and auto industrialists of yesteryear. Working again with Kristin Lenz on this, she distilled the message to me simply: “Dallas, this ain’t.”








After my first round of sketches, Kristin landed on a way to rope the image into and around the headline just as we had done on a previous assignment. She apologized for this when the job was over, though I do not know why as everyone, myself included were all around happier with the finished bit than with any of the comps which were originally submitted. Moreover, if I’m tasked with finding a way to work an on-the-nose pun around Matthew Carter’s beautiful type, I will simply find a way to carry on as best I can.



When Washington Goes BIG



The question as to how government’s most ambitious projects (ex. the Moon landing, Iraq and, ahem, health care) fail or succeed gets explored on the front page of the Washington Post’s Outlook section for their Sunday, 3/21 paper. Working with Kristin Lenz, we took the opportunity to make the headline type the actual illustration for the cover of the print edition (above). The type that I drew all of the hands for is the Post’s very own (and very new) Postoni Display Bold, designed by Richard Lipton and Matthew Carter (!!!) I would hope that in the eyes of Postoni’s creators that no heinous offenses were committed in the appropriation of their fine, fine work.


Death and the C.I.A.



The Washington Post ran a piece in their Outlook section last week by Book of Honor author Ted Gup about the C.I.A’s policy of secrecy when it comes to the death of their operatives. According to Gup, it’s not unfathomable that even the deceased family members don’t always get the full story surrounding the passing of their loved ones. Is this an HR issue or a matter of national security?

The other coulda-shoulda-woulda that art director Kristin Lenz and I both originally thought would be a lock is below: